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Book Details

East of Eden

85.7% complete
1952
225,395
2017
1 time
Brothers - FIction
Children of prostitutes - Fiction
Domestic fiction
Drama
English language - Etymology
Fathers and sons - Fiction
Historical Fiction
Salinas River Valley (California) - Fiction
Sibling rivalry - Fiction
55 chapters
Book Cover
Has a genre Has an extract Has a year read Has a rating In my library 
1646
No series
Copyright © 1952
Pascal Covici

Dear Pat,

You came upon me carving some kind of little figure out of wood and you said, "Why don't you make something for me?"

I asked you what you wanted, and you said, "A box."

"What for?"

"To put things in."

"What things?"

"Whatever you have," you said.

Well, here's your box.  Nearly everything I have is in it, and it is not full.  Pain and excitement are in it, and feeling good or bad and evil thoughts and good thoughts - the pleasure of design and some despair and the indescribable joy of creation.

And on top of these are all the graditude and love I have for you.  And still the box is not full.


JOHN
The Salinas Valley is in Northern California.
May contain spoilers
His eyes closed and he slept.
No comments on file
Extract (may contain spoilers)
I believe there are monsters born in the world to human parents, Some you can see, misshapen and horrible, with huge heads or tiny bodies; some arc born with no arms, no legs, some with three arms, some with tails or mouths in odd places.  They are accidents and no one's fault, as used to be thought.  Once they were considered the visible punishments for concealed sins.

And just as there are physical monsters, can there not be mental or psychic monsters born?  The face and body may be perfect, but if a twisted gene or a malformed egg can produce physical monsters, may not the same process produce a malformed soul?

Monsters are variations from the accepted normal to a greater or a less degree.  As a child may be born without an arm, so one may be born without kindness or the potential of conscience.  A man who loses his arms in an accident has a great struggle to adjust himself to the lack, but one born without arms suffers only from people who find him strange.  Having never had arms, he cannot miss them.  Sometimes when we are little we imagine how it would be to have wings, but there is no reason to suppose it is the same feeling birds have.  No, to a monster the norm must seem monstrous, since everyone is normal to himself.  To the inner monster it must be even more obscure, since he has no visible thing to compare with others.  To a man born without conscience, a soul-stricken man must seem ridiculous.  To a criminal, honesty is foolish.  You must not forget that a monster is only a variation, and that to a monster the norm is monstrous.

It is my belief that Cathy Ames was born with the tendencies, or lack of them, which drove and forced her all of her life.  Some balance wheel was misweighted, some gear out of ratio.  She was not like other people, never was from birth.  And just as a cripple may learn to utilize his lack so that he becomes more effective in a  limited field than the uncrippled, so did Cathy, using her difference, make a painful and bewildering stir in her world.

There was a time when a girl like Cathy would have been called possessed by the devil.  She would have been exorcised to cast out the evil spirit, and if after many trials that did not work, she would have been burned as a witch for the good of the community.  The one thing that may not be forgiven a witch is her ability to distress people, to make them restless and uneasy and even envious.

As though nature concealed a trap, Cathy had from the first a face of innocence.  Her hair was gold and lovely; wide-set hazel eyes with upper lids that drooped made her look mysteriously sleepy.  Her nose was delicate and thin, and her cheekbones high and wide, sweeping down to a small chin so that her face was heart-shaped.  Her mouth was well shaped and well lipped but abnormally small - what used to be called a rosebud.  Her ears were very little, without lobes, and they pressed so close to her head that even with her hair combed up they made no silhouette.  They were thin flaps sealed against her head.

Cathy always had a child's figure even after she was grown, slender, delicate arms and hands - tiny hands.  Her breasts never developed very much.  Before her puberty the nipples turned inward.  Her mother had to manipulate them out when they became painful in Cathy's tenth year.  Her body was a boy's body, narrow-hipped, straight-legged, but her ankles were thin and straight without being slender.  Her feet were small and round and stubby, with fat insteps almost like little hoofs.  She was a pretty child and she became a pretty woman.  Her voice was huskily soft, and it could be so sweet as to be irresistible.  But there must have been some steel cord in her throat, for Cathy's voice could cut like a file when she wished.

Even as a child she had some quality that made people look at her, then look away, then look back at her, troubled at something foreign.  Something looked out of her eyes, and was never there when one looked again.  She moved quietly and talked little, but she could enter no room without causing everyone to turn toward her.

She made people uneasy but not so that they wanted to go away from her.  Men and women wanted to inspect her, to be close to her, to try to find what caused the disturbance she distributed so subtly.  And since this had always been so, Cathy did not find it strange.

Characters
Abra Bacon
Adam Trask
Alice Trask
Aron Trask
Cal Trask
Cathy Ames
Charles Trask
Cyrus Trask
George Hamilton
Liza Hamilton
Samuel Hamilton
Tom Hamilton
Will Hamilton

 

Added: 14-Jun-2015
Last Updated: 21-Nov-2024

Publications

 01-Jan-1992
Penguin Books
Trade Paperback
In my libraryI read this editionOrder from amazon.comHas a cover imageBook Edition Cover
Date Issued:
Cir 01-Jan-1992
Format:
Trade Paperback
Cover Price:
$12.95
Pages*:
602
Read:
Once
Reading(s):
1)   23 Aug 2017 - 28 Sep 2017
Cover Link(s):
Internal ID:
13043
Publisher:
ISBN:
0-140-18639-5
ISBN-13:
978-0-140-18639-0
Printing:
16
Country:
United States
Language:
English
Credits:
Tiziano Vecellio - Cover Photograph
David Wyatt - Introduction
PENGUIN TWENTIETH-CENTURY CLASSICS

JOHN STEINBECK

East of Eden

Introduction by David Wyatt

The masterpiece of Steinbeck's later years - a powerful and vastly ambitious novel that is at once a family saga and a modern retelling of the Book of Genesis


In his journal, John Steinbeck called East of Eden "the first book," and indeed it has the primordial power and simplicity of myth.  Set in the rich farmland of California's Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families - the Trasks and the Hamiltons - whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. Here is the work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity; the inexplicability of love, and the murderous consequences of love's absence.

"A fantasia of history and myth... a strange and original work of art."
- The New York Times Book Review

WINNER OF THE NOBEL PRIZE FOR LITERATURE
Cover:
Book CoverBook Back CoverBook Spine
Notes and Comments:
First published in the United States of America by The Viking Press 1952
Viking Compass Edition published 1970
This edition with an introduction by David Wyatt published in Penguin Books 1992
Sixteenth printing based on the number line

Canada: $18.99

I was bugged into reading this by my sister.  I put it off, but finally, I was glad that I did.
Image File
01-Jan-1992
Penguin Books
Trade Paperback

Related

Author(s)

 John Steinbeck
Birth: 27 Feb 1902 Salinas, California, USA
Death: 20 Dec 1968 New York, New York, USA

Notes:
From Bibio:

He was awarded the Nobel Prize for literature in 1962, though his popularity with readers never was matched by that of the literary critics.

He was born in Salinas, California, which acted as a setting for many of his stories. After an unsuccessful attempt to write in a mythological vein (Cup of Gold), he found his stride in writing California novels and Dust Bowl fiction, set among common people in the Great Depression. He had a wide range of interests: marine biology, jazz, politics, philosophy, history, and myth. For many he was the voice of Great Depression.

Steinbeck wrote in the naturalist/realist style, often about poor, working-class people. His most famous work, The Grapes of Wrath, tells the story of the Joads, a poor family from Oklahoma and their journey to and subsequent struggles in California.

East of Eden is Steinbeck's most ambitious work, in which he turns his attention from social injustice to human psychology, in a Salinas Valley saga loosely patterned on the Garden of Eden story.

Steinbeck received the Nobel prize for literature in 1962 for his "realistic and imaginative writings, combining as they do sympathetic humour and keen social perception." He died in New York.

Awards

No awards found
*
  • I try to maintain page numbers for audiobooks even though obviously there aren't any. I do this to keep track of pages read and I try to use the Kindle version page numbers for this.
  • Synopses marked with an asterisk (*) were generated by an AI. There aren't a lot since this is an iffy way to do it - AI seems to make stuff up.
  • When specific publication dates are unknown (ie prefixed with a "Cir"), I try to get the publication date that is closest to the specific printing that I can.
  • When listing chapters, I only list chapters relevant to the story. I will usually leave off Author Notes, Indices, Acknowledgements, etc unless they are relevant to the story or the book is non-fiction.
  • Page numbers on this site are for the end of the main story. I normally do not include appendices, extra material, and other miscellaneous stuff at the end of the book in the page count.






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